Marie-Claire Blais - Sans titre, 2024,
blanc de Meudon pigmenté et base acrylique sur toile de jute,
72” x 25”
Nadia Myre - Chromatic Perspectives 1: Dusk Array, 2024,
billes de céramique et fil de métal,
40 1/2” x 40 1/2”
Nico Williams - Playful Otter, 2023
Perles Delica et velours imprimé,
13” x 13”
Yann Pocreau - Détours 5, 2023
Épreuve numérique sur Hahnemühle Agave,
16” x 12”
Daniel Langevin - Sans titre (RP), 2022
acrylique sur coton,
36” x 36”
Caroline Monnet - Mellow 02. 2024
Feutre,
25 1/2” x 25 1/2”
2024 | Plural
KIOSQUE #104
Grand Quai du Port de Montréal
200, rue de la Commune O.
Montréal, H2Y 4B2
Apr 12 - 14, 2024
Marie-Claire Blais, Geneviève Cadieux, Caroline Monnet, Renée Condo,Daniel Langevin, Émilie Régnier, François Lacasse, Nadia Myre, Noémie Weinstein, Théo Bignon, Nico Williams, Pierre Dorion, Yann Pocreau, Wanda Koop, Stanley Février, Nicolas Lachance
Caroline Monnet - Wawasum (Lightning), 2024
Broderie sur sous couche de toit / Embroidery on roof underlay
44 x 69 in.
Wanda Koop - Two Moons - Eclipse (panel two), 2024
Acrylique sur toile / Acrylic on canvas
48 x 48 in.
Tammi Campbell - Flower with Bubble Wrap, 2024
Acrylique sur toile avec cadre en bois / Acrylic on canvas with wood frame
12 1/2 x 20 1/2 in.
2024 | Dallas Art Fair
KIOSQUE #F27
Fashion Industry Gallery (f.i.g.),
1807 Ross Avenue, Dallas, 7520
USA
Apr 4 - 7, 2024
An Te Liu, Corri-Lynn Tetz, Caroline Monnet, François Lacasse, Geneviève Cadieux, Nicolas Baier, Nadia Myre, Nico Williams, Patrick Coutu, Renée Condo, Sarah Anne Johnson, Simon Hughes, Sean Weisgerber, Tammi Campbell, Wanda Koop.
2023 I ART BRUSSELS
BOOTH #5B-11
Brussels Expo, Halls 5 & 6
Place de la Belgique 1, 1020 Brussels
Apr 20 - Apr 23, 2023
Caroline Monnet, Mathieu Grenier, Matthew Feyld, Sarah Anne Johnson, Tammi Campbell, Wanda Koop.
Wanda Koop - Full Moon, 2022
Acrylique sur toile / Acrylic on canvas
40 x 30 in.
Caroline Monnet - Haze, 2023
Membrane d'étanchéité à l'air, tissus / Air barrier membrane, fabrics
25 1/4 x 24 3/4 in.
Mathieu Grenier - Efflorescence des corps #7, 2020
Cyanotype sur coton / Cyanotype on cotton
39 x 31 in.
Matthew Feyld - Untitled, 2020
Acrylique, pigments et pâte à texturer sur toile montée sur panneau / Acrylic, pigment and modeling paste on canvas over panel
16 x 16 in.
Sarah Anne Johnson - DWDH2, 2023
Impression pigmentaire, peinture à l'huile et feuille d'or / Pigment Print with Oil Paint and Gold Leaf
33 x 22 in.
Tammi Campbell - Campbell's Soup Can (Vegetarian Vegetable) with Bubble Wrap and Packing Tape, 2022
Acrylique sur toile avec cadre en bois / Acrylic on canvas with wood frame
22 1/8 x 18 in.
2022 I PAPIER
BOOTH #B06
MONTREAL
26 Aug - 28 Aug
Caroline Monnet, Nico Williams, Pierre Dorion, Serge Murphy, Simon Bertrand, Patrick Coutu, Nicolas Baier, Matthew Feyld, Marie-Claire Blais, Sarah Anne Johnson, Michel de Broin, Karine Frechette, Francine Savard, François Lacasse, Émilie Régnier, Daniel Langevin, Wanda Koop,
.
Pierre Dorion, École nationale supérieure des Beaux-arts I, 2022 Huile sur toile de lin / Oil on linen, 33 x 25 in.
Karine Fréchette, Echo chamber 1 / Chambre d'Écho 1, 2022, Acrylique sur toile, collée sur contre-plaqué / Acrylic on canvas, glued on plywood, 38 x 32 in.
Marie-Claire Blais, Image mouvement, étude 2, 2016 , Acrylique sur toile / Acrylic on canvas, 72 x 48 in.
.
Marie-Claire Blais, Image mouvement, étude 1, 2016 Acrylique sur toile / Acrylic on canvas, 72 x 48 in
Wanda Koop, Ghost Tree Thorn - Blue, 2021 Acrylique sur toile / Acrylic on canvas, 60 x 48 in.
Caroline Monnet, Blanket 06, 2022 ,Broderie sur feutre-toiture synthétique / Embroidery on synthetic roofing felt, 48 x 48 in.
Caroline Monnet, Brume 08, 2022 ,Broderie sur membrane d'étanchéité / Embroidery on waterproofing membrane, 11 1/2 x 11 1/2 in.
Francine Savard, Valley Forge (Anne Truitt) vue C, 2022 , Acrylique sur toile montée sur panneau / Acrylic on canvas mounted on panel, 40 x 32 x 1 1/2 in.
Émilie Régnier, Code couleur, 2022, Impression sur bogolan et matériaux mixtes / Print on bogolan cloth and mixed media 61 3/8 x 41 5/8 in.
.
Karine Fréchette, Shadow Recorder Fragment 5, 2022, Acrylique sur toile / Acrylic on canvas, 18 x 16 in
Karine Fréchette, Shadow Recorder Fragment 6, 2022 , Acrylique sur toile / Acrylic on canvas 18 x 16 in.
Simon Bertrand, Inlandscape: Solaris, 2022 Crayon et pastel sur papier / Pencil and pastel on paper, 20 x 27 1/2 in.
Ghost Tree - Magic Hour, 2020 , Acrylique sur toile / Acrylic on canvas 60 x 48 in.
Caroline Monnet, Brume 07, 2022, Broderie sur membrane d'étanchéité / Embroidery on waterproofing membrane, 11 1/2 x 11 1/2 in.
Pierre Dorion, Granada III, 2022 , Huile sur toile de lin / Oil on linen, 60 x 45 in.
Francine Savard, Spanish Main (Anne Truitt), vue, 2022, Acrylique sur toile marouflée sur panneau / Acrylic on canvas mounted on panel, 40 x 32 x 1 5/8 in.
Nico Williams, Flamer, 2022, Glass beads, maple wood, metal and cotton wood, Shorts: 40’’ x 22’’ in, Bench: 36’’ x 17’’ in.
Émilie Régnier, Hypervisible/Invisibilité, 2022, Impression sur bogolan et matériaux mixtes / Print on bogolan cloth and mixed media, 156 x 102 cm
Caroline Monnet, Borderlands, 2022, Braiding of various materials on thermal bubbles, 22 x 20 in.
Nico Williams, Flamer, 2022, Glass beads, maple wood, metal and cotton wood, Shorts: 40’’ x 22’’ in, Bench: 36’’ x 17’’ in.
Caroline Monnet, Ossature 02, 2022, Embroidery on polyethylene, 36 x 36 in.
Nico Williams, Bingo (Orange), 2019, Glass Beads 18” x 3 “1/2 in.
Nico Williams Stash Bag, 2021, Glass beads, Bugle beads, Plastic lighter, thread. 8 1/4 x 7 1/2 in.
Caroline Monnet, Foundations, 2022, Foam Oriented strands board, 45 x 45 in.
Caroline Monnet, Blanket 05, 2022, Embroideey on synthetic roofing felt, 48 x 48 in.
Nico Williams, Bingo (Blue), 2019, Glass Beads 16” x 3 “1/2 in.
Nico Willi, Bingo (Orange), 2019, Glass Beads 18” x 3 “1/2 in.
Caroline Monnet, Borderlands, 2022, Braiding of various materials on thermal bubbles 22” x 20 “ in.
Caroline Monnet, Sound Waves, 2022, Embroidery on Underlayment 34” x 24 “ in.
Nico Williams, Bingo (Red), 2019, Glass Beads 16 1/2” x 3 “1/2 in.
2022 I DALLAS ART FAIR
BOOTH #F27
DALLAS
Apr 21 - Apr 24
Nicolas Baier, Tammi Campbell, Sarah Anne Johnson, Wanda Koop, Caroline Monnet, Francine Savard.
Wanda Koop, Luminous Red Sun, 2022, Acrylic on canvas, 84 x 60 in. (213.4 x 152.4 cm)
Wanda Koop, Love Knot, 2022, Acrylic on canvas, 84 x 60 in. (213.4 x 152.4 cm)
Wanda Koop, Ghost Tree - Pale Stripes, 2021, Acrylic on canvas, 60 x 48 in. (152.4 x 121.9 cm)
Wanda Koop, Ghost Tree - Eye, 2021, Acrylic on canvas, 60 x 48 in. (152.4 x 121.9 cm)
Wanda Koop, Ghost Tree Thorn - Blue, 2021, Acrylic on canvas, 60 x 48 in. (152.4 x 121.9 cm)
Wanda Koop, Ghost Tree - Magic Hour, 2020, Acrylic on canvas, 60 x 48 in. (152.4 x 121.9 cm)
Wanda Koop, Reflect Luminous Orange, 2021, Acrylic on canvas, 48 x 36 in. (121.9 x 91.4 cm)
Wanda Koop, Lake View Evening, 2021, Acrylic on canvas, 20 x 16 in. (50.8 x 40.6 cm)
Wanda Koop, Big Storm, 2021, Acrylic on canvas,
20 x 24 in. (50.8 x 61 cm)
Wanda Koop, Reed Reflect, 2021, Acrylic on canvas, 20 x 24 in. (50.8 x 61 cm)
Wanda Koop, Baby Seal Cloud, 2021, Acrylic on canvas, 16 x 20 in. (40.6 x 50.8 cm)
Wanda Koop, Midday, 2020, Acrylic on canvas, 84 x 60 in. (213.4 x 152.4 cm)
Tammi Campbell, Homage to the Square with Bubble Wrap and Packing Tape, 2022, Acrylic on board with metal frame, 25 x 25 in. (63.5 x 63.5 cm)
Tammi Campbell, Homage to the Square with Bubble Wrap and Packing Tape, 2022, Acrylic on board with metal frame, 25 x 25 in. (63.5 x 63.5 cm)
Sarah Anne Johnson, AMD2, 2020 Ed. 1/1, Pigment print and ink, 60 x 40 in. (152.4 x 101.6 cm)
Sarah Anne Johnson, PTMW2, 2020 Ed. 1/1, Pigment print with oil paint, 59 7/8 x 40 in. (152.1 x 101.6 cm)
Nicolas Baier, Cinématique, 2022, Chrome print and stainless steel, 42 x 62 in. (106.7 x 157.5 cm)
Nicolas Baier, Fossile, 2022, Plexiglas, LED, Plexiglas, LED, mirror polished stainless steel, painted aluminum, 46 x 61 1/4 in. (116.8 x 155.6 cm)
Nicolas Baier, Fatras (variante 2), 2022, Stainless steel, 46 x 61 1/2 in. (116.8 x 156.2 cm)
Nicolas Baier, Obsolète (variante 2), 2022, Stainless steel, aluminum and nylon, 42 x 29 3/4 x 3 1/2 in. (106.7 x 75.6 x 8.9 cm)
Nicolas Baier, Prototype 3, 2022, Lenticular inkjet print, 30 1/2 x 46 in. (77.5 x 116.8 cm)
Francine Savard, Valley Forge (Anne Truitt) vue B, 2022, Acrylic on canvas mounted on panel, 40 x 32 x 1 5/8 in. (101.6 x 81.3 x 4.1 cm)
Francine Savard, Valley Forge (Anne Truitt) vue A, 2022, Acrylic on canvas mounted on panel, 40 x 32 x 1 5/8 in. (101.6 x 81.3 x 4.1 cm)
Caroline Monnet, Snowbird, 2022, Embroidery on air barrier membrane, 46 1/2 x 35 in. (118.1 x 88.9 cm)
Caroline Monnet, Blanket 04, 2022, Embroidery on synthetic roofing felt, 48 x 48 in. (121.9 x 121.9 cm)
Caroline Monnet, Voice Gone Cannot Speak, 2022, Embroidery on air barrier membrane, 46 1/2 x 35 in. (118.1 x 88.9 cm)
Caroline Monnet, Silent As a Glimmer, 2022, Reflective coating for laminate flooring, 17 1/2 x 32 in. (44.5 x 81.3 cm)
Caroline Monnet, Radiant Symphony, 2022, Embroidery on Thermal Bubble Foil, 18 x 34 in. (45.7 x 86.4 cm)
2021 I DALLAS ART FAIR
BOOTH #F27A
DALLAS
Nov 11 - Nov 14
Mike Bayne, Mathieu Grenier, Wanda Koop, Caroline Monnet, Samantha Rosenwald, Nico Williams
Wanda Koop, Moondance, 2021, Acrylic on canvas, 48” x 60” in.
Mathieu Grenier, Efflorescence Des Corps #11, 2020, Cyanotype on cotton, 39” x 31” in.
Mathieu Grenier, Efflorescence Des Corps #7, 2020, Cyanotype on cotton, 39” x 31” in.
Caroline Monnet, A Quiet Place, 2021, Print on Enermax, 46” x 46” in.
Caroline Monnet, Blanket 02, 2021, Embroidery on synthetic roofing felt, 47” x 47” in.
Nico Williams, Bingo (Blue), 2019, Glass Beads, 16” x 3 1/2” in.
Nico Williams, Bingo (Orange), 2019, Glass Beads, 18” x 3 1/2” in.
Nico Williams, Bingo (Orange), 2019, Glass Beads, 18” x 3 1/2” in.
Wanda Koop, Ghost Tree, 2021, Acrylic on canvas, 48” x 60” in.
Nico Williams, Bingo (Blue), 2019, Glass beads, 16 x 3 1/2” in.
Samantha Rosenwald, La Zanni, 2021, Colored pencil on canvas, 16” x 16” in.
Nico Williams, Mots Cachés (Navy), 2020, Glass beads, 21 1/2” x 3 1/2” in.
Samantha Rosenwald, Crocodile Tears, 2021, Colored pencil on canvas, 78” x 60” in.
Wanda Koop, Ghost Tree - Bloodvien, 2021, Acrylic on canvas, 40” x 30” in.
Samantha Rosenwald, Black Magic Women, 2021, Colored pencil on canvas, 10” x 10” in.
Caroline Monnet, Blanket 01, 2021, Embroidery on synthetic roofing felt, 47” x 47” in.
Wanda Koop, Spruce Bog, 2020, Acrylic on canvas, 40” x 30” in.
Mathieu Grenier, Efflorescence Des Corps #13, 2020, Cyanotype on cotton, 39” x 31” in.
Nico Williams, Bingo (Red), 2019, Glass beads, 16 1/2” x 3 1/2” in.
Mike Bayne, Echlin Insurance, 2019, Oil on wood panel, 16” x 24’’ in.
2021 I TORONTO ART FAIR
TORONTO
Oct 29 - Oct 31
Serena Beaulieu, Tammi Campbell, Pascal Grandmaison, Wanda Koop, Daniel Langevin, Caroline Monnet, Francine Savard, Nico Williams
Caroline Monnet, Marking the Underground 02, 2021, Silkscreen on waterproof membrane, 48” x 38 1/2” in.
Serena Beaulieu, Changements d’idées, 2021, Acrylic on wood panel and masonite, 14” x 11” in.
Nico Wiliams, Hapag-Loyd, 2021, Glass beads, 6 5/8” x 6 5/8 x 6 5/8” in.
Wanda Koop, Last Night, 2021, Acrylic on canvas, 48” x 40” in.
Francine Savard, Gitanes 05, 2018, Acrylic on canvas mounted on wood, 40” x 48” in.
Serena Beaulieu, Negative Space (Georgia O’Keefe’s leaves), 2021, Acrylic on wood panel and masonite, 24” x 20” x 4” in.
Wanda Koop, Delta, 2020, Acrylic on canvas, 40” x 30” in.
Pascal Grandmaison, Transparence rouge, 2021, Inkjet print on canvas, 73” x 56” in.
Tammi Campbell, Campbell’s Soup Can (Minestrone), 2021, Acrylic on canvas with wood frame, 22 1/8” x 18” in.
Nico Wiliams, Maersk Line, 2021, Glass beads, 6 5/8” x 6 5/8 x 6 5/8” in.
Daniel Langevin, SAGA (VE), 2020, Acrylic on cotton, 20” x 16” in.
Pascal Grandmaison, Dynamique verte, 2021, Inkjet print on Canvas, 43” x 56” in.
2020 I ART TORONTO
Oct 28 - Nov 8
Nicolas Baier, Serena Beaulieu, Marie-Claire Blais, Geneviève Cadieux, Tammi Campbell, Patrick Coutu, Michel de Broin, Myriam Dion, Pierre Dorion, Dumontier & Farber, Julie Favreau, Karine Fréchette, Pascal Grandmaison, Simon Hughes, Sarah Anne Johnson, Wanda Koop, Nicolas Lachance, Scott McFarland, Alex McLeod, Caroline Monnet
Caroline Monnet, No Church in the Wild, 2020, Embroidery on Tyvek, 48” x 36”
Myriam Dion, Cortège floristique - California Blazes, The Wall Street Journal, Saturday/Sunday, August 22-23, 2020, 2020, Newspaper and japanese paper collage cut with X-Acto knife, 33” x 33”
Sarah Anne Johnson, PTYG2, Edition of 1, 2020, Pigment print with oil and silver leaf, 60” x 40”
Marie-Claire Blais, Tra le linee 2, 2020, Blanc de Meudon pigmenté et base acrylique sur toile de jute, 72” x 52”
Patrick Coutu, Attracteur, Edition of 5, 2020, Nickel on bronze, 24” x 22 1/2” x 11”
Pierre Dorion, Lisbonne IV, 2020, Oil on linen canvas, 60” x 45”
Tammi Campbell, Imagined study # 1 for Frank Stella’s Sinjerli Variations c. 1976, 2020, Acrylic on canvas, 44" in diameter
Wanda Koop, BREAKING NEWS (Lift off), 2020, Acrylic on canvas, 60” x 48”
Wanda Koop, SEEWAY - Floe, 2019, Acrylic on canvas, 30” x 40”
Wanda Koop, SEEWAY - Floe, 2019, Acrylic on canvas, 30” x 40”
Karine Fréchette, Reflecting Pool 3, 2020, Acrylic on canvas, 78” x 60”
Simon Hughes, Mountain (winter), 2020, Acrylic and collage on linen, 30” x 24”
Michael Dumontier & Neil Farber, Solo so lonely, 2016, Acrylique et crayon feutre sur panneau dur / Acrylic and felt pen on hardboard, 7” x 7”
Michael Dumontier & Neil Farber, Come out of your shell, 2018, Acrylique sur panneau de bois / Acrylic on panel, 3” x 3”
Scott McFarland, Sans Personnes, Sans Souci Tennis Club, Georgian Bay, Edition of 3, 2020, Archival inkjet print, 44 1/2” x 62 3/4”
Alex McLeod, Cubeworld Two, Edition of 3, 2020, Inkjet print on dibond, 16” x 16”
Alex McLeod, Coral Forest, Edition of 3, 2020, Inkjet print on dibond, 11” x 11”
Geneviève Cadieux, La mer et l'enfant, Edition of 2, 1997, Chromogenic print mounted on plexi, 73” x 109”
Serena Beaulieu, Algonquin park (T.T.), 2020, Acrylic on wood panel, 14” x 11” x 1”
Pascal Grandmaison, Ouverture 02, Édition de 3, 2006, Épreuve numérique à développement chromogène montée sur plexiglas, 59 3/4” x 72”
Michel de Broin, Twilight #97, 2019
Light bulbs, wood, acrylic, 24” x 36” x 5 1/2”
Nicolas Lachance, Montage-04, 2018, Gypsum cement, ink, wood, molding and serigraphy, 36” x 27”
Nicolas Baier, Trouée, Edition of 3, 2020, Photochrome print mounted on lightbox, 42” x 62 3/4”
Julie Favreau, Monday, Edition of 3, 2018, Ink jet print, 23 1/2” x 29 3/4”
Myriam Dion, Place Rouge, Moscou - Le respect du confinement est contrôlé grâce à un "système intelligent de surveillance", 31 mars 2020, Le Devoir, 2020, Newspaper cut with x-acto knife, Japanese paper, 23 1/8” x 23 3/4”
Myriam Dion, Madrid, capitale martyre d'une Espagne en Deuil, Le Monde, Samedi 4 avril 2020, 2020, Newspaper cut with x-acto knife, Japanese paper, 14 3/4” x 21 5/8”
Nicolas Baier, Sans titre, 2020, Photochrome print mounted on lightbox, 42” x 62”, Edition of 3
Nicolas Baier, Player One, 2020, Photochrome print mounted on lightbox, 42 x 63, Edition of 3
Patrick Coutu, Attractions II, 2020, Mixed media on textile, 31 7/8” x 24 3/8”
Patrick Coutu, Flux IV (Plan de clivage), 2020, Enamels and acrylic on paper, 37 3/8” x 27 7/8”
Patrick Coutu, Attractions I, 2020, Mixed media on textile, 31 7/8” x 24 3/8”
Tammi Campbell, Corrugated Cardboard with Masking Tape on Canvas, 2017, Acrylic on canvas,
20” x 16”
Tammi Campbell, Cardboard with Tan Packing Tape on Linen, 2017, Acrylic on linen, 20” x 16”
Tammi Campbell, Works in Progress (studies) O, 2013, Acrylic on paper, 12” x 12”
Tammi Campbell, Works in Progress (studies) G, 2013, Acrylic on paper, 12” x 12”
Michael Dumontier & Neil Farber, We could be a bridge, 2020, Acrylic and spray paint on birch panel, 12” x 8”
Michael Dumontier & Neil Farber, I wish whatever has happened, hadn't happened, 2018, Acrylic and spray paint on paper, 14” x 11”
Michael Dumontier & Neil Farber, Our arms stretched across the ocean and we held hands, 2018, Acrylic and spray paint on paper, 11” x 14”
Michael Dumontier & Neil Farber,Touching, and being touched, 2018, Acrylic and spray paint on paper, 11” x 14”
Simon Hughes, Red Desert, 2020, Acrylic and collage on linen, 17” x 38”
Simon Hughes, Sculpture Garden at Night, 2020, Watercolour on paper, 37 1/2” x 37 1/2”
Simon Hughes, Red State, 2020, Watercolour on paper, 28” x 20”
Wanda Koop, SEEWAY - Floe, 2019, Acrylic on canvas, 30” x 40”
Wanda Koop, SEEWAY - Floe, 2019, Acrylic on canvas, 30” x 40”
Caroline Monnet, Fear Eats the Soul, 2020, Embroidery on Tyvek, 48” x 36”
Caroline Monnet, Radiant System n.6, 2020, Embroidery on thermal bubble sheet,
26 1/4” x 26 1/4” x 1 1/2”
Caroline Monnet, Radiant System n. 4, 2020, Embroidery on thermal bubble sheet,
26 1/4” x 26 1/4” x 1 1/2”
Caroline Monnet, Nexus, 2020, Embossing on handmade St-Armand paper,
40” x 40”, Edition of 5
Caroline Monnet, Vade Mecum, 2020, Embossed printing on Arches paper, 40” x 40”, Edition of 5
Caroline Monnet, The Fight Goes On, 2020, Embroidery on Tyvek, 48” x 36”
Caroline Monnet, The Fight is Over, 2020, Embroidery on Tyvek, 48” x 36”
Caroline Monnet, Longing for trust n.2, 2020, Acrylic and wood, 47”
Caroline Monnet, Nexus, 2020, Embossing on handmade St-Armand paper, 40” x 40”, Edition of 5
Caroline Monnet, R-value, 2020, Mineral wool and plexiglass, 36” x 24 1/2” x 8”
Caroline Monnet, Radiant System n.4, 2020, Embroidery on thermal bubble sheet, 26 1/4” x 26 1/4” x 1 1/2”
Caroline Monnet, Vade Mecum, 2020, Embossed printing on Arches paper, 40” x 40”, Edition of 5
Caroline Monnet, Radiant System n.5, 2020, Embroidery on thermal bubble sheet, 26 1/4” x 26 1/4” x 1 1/2”
2019 I FOIRE EN ART ACTUEL DE QUÉBEC, 8 Edition
May 30 - Jun 2
CHAPELLE DES JÉSUITES
20 Dauphine St., Quebec QC G1R 3W8
Caroline Monnet
Caroline Monnet, Insular 04, 2019, Engraving on styrofoam and Plexiglass, 27 ½” x 27 ½” x 3 ½”, Dimensions avec plexi
Caroline Monnet, Insular 03, 2019, Engraving on styrofoam and Plexiglass, 27 ½” x 27 ½” x 3 ½”, Dimensions avec plexi
Caroline Monnet, Insular 02, 2019, Engraving on styrofoam and Plexiglass, 48” x 48” x 3 ½”, Dimensions avec plexi
Caroline Monnet, Lot #VII - Front de la Rivière Désert, 2018, Wood-burned engraving, 48” x 48”
Caroline Monnet, Lot #II - Front de la Rivière Désert, 2018, Wood-burned engraving, 24” x 36”
2019 I FOIRE PAPIER
Apr 25 - 28
OLD PORT OF MONTREAL - ALEXANDRA PIER
200 de la Commune W. St.,
Montreal QC H2Y 2B2
Booth B05
Nicolas Baier
Michel de Broin
Tammi Campbell
Patrick Coutu
Myriam Dion
Michael Dumontier & Neil Farber
Simon Hughes
Sarah Anne Johnson
Caroline Monnet
Wanda Koop
Nicolas Baier, Antérieur, 2018, Edition of 3, Photochrome print, 42” x 62”
Nicolas Baier, Constellation (or) 57Mu Eri, 2019, Polylactic acid, golden paint, 24” x 39”
Michel de Broin, Universal Plug and Play, 2018, Polymer, fiberglass, epoxy, nylon fibre, plated steel base, 17 ¼” x 15 ⅝” x 22”
Michel de Broin, Twilight #240, 2018, Light bulb, wood, acrylic, 47 ⅛” x 47 ⅛” x 5 ¼”
Tammi Campbell, Homage to the square with bubblewrap and packing tape, 2019, Acrylic on masonite with metal frame, 25” x 25”
Tammi Campbell, Homage to the square with bubblewrap and packing tape, 2019, Acrylic on masonite with metal frame, 25” x 25”
Patrick Coutu, Flux II (Boogie Woogie), 2018, Enamels and acrylic on paper, 50” x 39 ¼”
Patrick Coutu, Cristalmath #4, 2 (2,5,7), 2018, Bronze, 5” x 4” x 24 ¾”
Myriam Dion, The Daltons : Pursuit of Train Robbers, The Evening Post, New York, 1892, 2019, Newspaper cut with x-acto knife, Japanese paper collage, gold-leafing and Nationale sheet, 33” x 21 ¾”
Myriam Dion, Fin de la guerre devant la porte de l'édifice de La Presse, Montréal, 7 mai 1945, 2019, Newspaper cut with x-acto knife, Japanese paper, gold-leafing and copper leafing, 8 ⅝” x 8 ⅝”
Myriam Dion, Great Masterpiece Has Disappeared : Da Vinci's "Mona Lisa" Stolen From Art Gallery, El Paso Morning Times, Texas, 1911, 2019, Papier journal coupé au couteau x-acto, collage de papier japonais, feuille d'or et feuille de cuivre / Newspaper cut with x-acto knife, 35” x 23 ⅛”
Michael Dumontier & Neil Farber, The Beginning, 2016, Acrylic on board, 24” x 36”
Simon Hughes, Autumn Interior with prophecy, 2013, 20 ½” x 28”
Sarah Anne Johnson, Joshua Tree Red, 2018, Edition of 5, Pigment print, 30” x 20”
Caroline Monnet, Kanata 01, 2019, Embroidery on Tyvek, 15 ¼” x 15 ¼” x 1 ½”
Caroline Monnet, Kanata 02, 2019, Embroidery on Tyvek, 15 ¼” x 15 ¼” x 1 ½”
Caroline Monnet, Kanata 013, 2019, Embroidery on Tyvek, 15 ¼” x 15 ¼” x 1 ½”
Caroline Monnet, Lot #III- Front de la Rivière Désert, 2018, Wood-burned engraving, 24” x 24”
Wanda Koop, In Absentia (Note for Pale Pink - Misty Green), 2015, Acrylic on canvas on stretcher, 12” x 16”
Wanda Koop, In Absentia (Pale Peach - Luminous Yellow), 2016, Acrylic on canvas on stretcher, 16” x 20”
Wanda Koop, View From Here, Heads, 2009, Ink on paper, 30” x 22”
Installation view
Installation view
Installation view
Installation view
2018 | ART TORONTO
TORONTO CONVENTION CENTER
Oct 26 - 29
Booth C25
With works by: Nicolas Baier, Bonnie Baxter, Tammi Campbell, Patrick Coutu, Michel de Broin, Manon De Pauw, Myriam Dion, Mario Doucette, Michael Dumontier & Neil Farber, Julie Favreau, Brendan Flanagan, Ed Fornieles, Karel Funk, Simon Hughes, Sarah Anne Johnson, Wanda Koop, Mathieu Latulippe, An Te Liu, Scott McFarland, Alex McLeod, Caroline Monnet, John Monteith, Brad Phillips, Julie Roch-Cuerrier, Jillian Kay Ross, Sean Weisgerber, Chloe Wise
