2019 I FOIRE PAPIER
Apr 25 - 28
OLD PORT OF MONTREAL - ALEXANDRA PIER
200 de la Commune W. St.,
Montreal QC H2Y 2B2
Booth B05
Nicolas Baier
Michel de Broin
Tammi Campbell
Patrick Coutu
Myriam Dion
Michael Dumontier & Neil Farber
Simon Hughes
Sarah Anne Johnson
Caroline Monnet
Wanda Koop
Nicolas Baier, Antérieur, 2018, Edition of 3, Photochrome print, 42” x 62”
Nicolas Baier, Constellation (or) 57Mu Eri, 2019, Polylactic acid, golden paint, 24” x 39”
Michel de Broin, Universal Plug and Play, 2018, Polymer, fiberglass, epoxy, nylon fibre, plated steel base, 17 ¼” x 15 ⅝” x 22”
Michel de Broin, Twilight #240, 2018, Light bulb, wood, acrylic, 47 ⅛” x 47 ⅛” x 5 ¼”
Tammi Campbell, Homage to the square with bubblewrap and packing tape, 2019, Acrylic on masonite with metal frame, 25” x 25”
Tammi Campbell, Homage to the square with bubblewrap and packing tape, 2019, Acrylic on masonite with metal frame, 25” x 25”
Patrick Coutu, Flux II (Boogie Woogie), 2018, Enamels and acrylic on paper, 50” x 39 ¼”
Patrick Coutu, Cristalmath #4, 2 (2,5,7), 2018, Bronze, 5” x 4” x 24 ¾”
Myriam Dion, The Daltons : Pursuit of Train Robbers, The Evening Post, New York, 1892, 2019, Newspaper cut with x-acto knife, Japanese paper collage, gold-leafing and Nationale sheet, 33” x 21 ¾”
Myriam Dion, Fin de la guerre devant la porte de l'édifice de La Presse, Montréal, 7 mai 1945, 2019, Newspaper cut with x-acto knife, Japanese paper, gold-leafing and copper leafing, 8 ⅝” x 8 ⅝”
Myriam Dion, Great Masterpiece Has Disappeared : Da Vinci's "Mona Lisa" Stolen From Art Gallery, El Paso Morning Times, Texas, 1911, 2019, Papier journal coupé au couteau x-acto, collage de papier japonais, feuille d'or et feuille de cuivre / Newspaper cut with x-acto knife, 35” x 23 ⅛”
Michael Dumontier & Neil Farber, The Beginning, 2016, Acrylic on board, 24” x 36”
Simon Hughes, Autumn Interior with prophecy, 2013, 20 ½” x 28”
Sarah Anne Johnson, Joshua Tree Red, 2018, Edition of 5, Pigment print, 30” x 20”
Caroline Monnet, Kanata 01, 2019, Embroidery on Tyvek, 15 ¼” x 15 ¼” x 1 ½”
Caroline Monnet, Kanata 02, 2019, Embroidery on Tyvek, 15 ¼” x 15 ¼” x 1 ½”
Caroline Monnet, Kanata 013, 2019, Embroidery on Tyvek, 15 ¼” x 15 ¼” x 1 ½”
Caroline Monnet, Lot #III- Front de la Rivière Désert, 2018, Wood-burned engraving, 24” x 24”
Wanda Koop, In Absentia (Note for Pale Pink - Misty Green), 2015, Acrylic on canvas on stretcher, 12” x 16”
Wanda Koop, In Absentia (Pale Peach - Luminous Yellow), 2016, Acrylic on canvas on stretcher, 16” x 20”
Wanda Koop, View From Here, Heads, 2009, Ink on paper, 30” x 22”
Installation view
Installation view
Installation view
Installation view